Atmosphere as Culture: Ambient Media and Postindustrial Japan
Atmosphere as Culture: Ambient Media and Postindustrial Japan by Paul Roquet A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language and the Designated Emphasis in Film Studies in the Gradute Division of the University of California, Berkeley Committee in charge: Professor Alan Tansman, Chair Professor Daniel Cuong O’Neill Pr
リリース、障害情報などのサービスのお知らせ
最新の人気エントリーの配信
j次のブックマーク
k前のブックマーク
lあとで読む
eコメント一覧を開く
oページを開く
University of Southern California
Animating transcultural communities: animation fandom in North America and East Asia from 1906-2010
Written Stūpa, Painted Sūtra: Relationships of Text and Image in the Construction of Meaning in the Japanese Jeweled-Stūpa Mandalas
Dramaturgical Crossroads and Aesthetic Transformations: Modern and Contemporary Adaptations of Classical Japanese Nō Drama
Animating Globalization and Development: The South Korean Animation Industry in Historical-Comparative Perspective
The Architecture of Homelessness: Space, Marginality, and Exile in Modern French and Japanese Literature and Film
Research Portal
Throw out the books, get out in the streets : subjectivity and space in Japanese underground art of the 1960s
Melancholy Sites: The Affective Politics of Marginality in Post-Anpo Japan (1960-1970)
Lee Ufan and the Art of Mono-ha in Postwar Japan (1968-1972)
The Politics of Eros: The Philosophy of Georges Bataille and Japanese New Wave Cinema
Research Portal
University of Southern California
Utopia/Dystopia: Japan's Image of the Manchurian Ideal
Negotiating power : gender and body politics in the new wave Japanese cinema
https://scholarcommons.sc.edu/cgi/viewcontent.cgi?referer=&httpsredir=1&article=2661&context=etd
When Worlds Collide--Art, Cartography, and Japanese Nanban World Map Screens
University of Southern California
ScholarlyCommons :: Home